Chapter
Composing for Film and TV Music
18:47 - 25:27 (06:40)
The guest discusses the challenges of composing music for film and TV, including the constraints of time and matching the mood of the scene.
Clips
Join Jamila Jamil and her comedian guests as they recount their epic and cringe-worthy dating mishaps, from a man who could only get intimate on a pile of Garfield toys to other outrageous tales.
18:47 - 20:07 (01:20)
Summary
Join Jamila Jamil and her comedian guests as they recount their epic and cringe-worthy dating mishaps, from a man who could only get intimate on a pile of Garfield toys to other outrageous tales.
ChapterComposing for Film and TV Music
Episode“David Byrne”
PodcastSmartLess
The Generation Y podcast tells the story of Califf Browder, a boy falsely accused of stealing a backpack and held at Rikers Island prison for three years without bail, enduring abuse and solitary confinement.
20:07 - 21:43 (01:36)
Summary
The Generation Y podcast tells the story of Califf Browder, a boy falsely accused of stealing a backpack and held at Rikers Island prison for three years without bail, enduring abuse and solitary confinement.
ChapterComposing for Film and TV Music
Episode“David Byrne”
PodcastSmartLess
This conversation discusses the creative constraints of composing music for film, including the challenges of coordinating with picture cuts and adhering to predetermined length and thematic requirements.
21:43 - 24:05 (02:21)
Summary
This conversation discusses the creative constraints of composing music for film, including the challenges of coordinating with picture cuts and adhering to predetermined length and thematic requirements. The hosts also discuss the potential benefits of having non-traditional composers try their hand at film scoring.
ChapterComposing for Film and TV Music
Episode“David Byrne”
PodcastSmartLess
Keegan DeWitt talks about his approach to composing for film and TV, preferring to focus on setting the mood and scene rather than explicitly conveying the story through music.
24:05 - 25:27 (01:21)
Summary
Keegan DeWitt talks about his approach to composing for film and TV, preferring to focus on setting the mood and scene rather than explicitly conveying the story through music. He shares his experience working on the show "The Chair" and reflects on his journey as a successful composer.