In this excerpt, two people compare their music tastes, with one mentioning workout tracks, Spotify, and seminal artists while the other confuses Kanye West with Paul Anka.
This is the song "Sacred Dog" by the band Sleep from their album "The Sciences", which features psychedelic, heavy metal and stoner rock music.
The podcast hosts discuss the band Bleachers and its reputation for being an "extremely white" band, due in part to the fact that the lead singer produces Taylor Swift's music.
The speaker discusses his background in gospel music and how he always knew he would transition to secular music.
The speaker expresses difficulty in listening to regular rap and feels old listening to it, but gives credit to a particular rapper for being a top notch lyricist.
A music enthusiast feels disconnected from the joy of playing music on the radio and wants to step away from being needed by others.
The host discusses the importance of music throughout history as a communal element, and introduces the song "In the Violet Hour" by The Civil Wars, which portrays the longing for connection and intimacy.
The power of music to evoke memories and transport people back to a moment in time is discussed. The hosts share personal experiences of how certain songs take them back to specific events or periods in their life.
The speaker shares a story of how a musician helped her find the right rhythm for a song she was struggling with by improvising a beat and dropping to his knee while she clutched her hands in a serious church choir stance.
The speaker predicts which songs a singer will perform on a morning show, mentioning the potential for both an acoustic and pop performance, and promotes their own morning show on Youtube, thanking listeners for tuning in while encouraging them to subscribe and like the video.
The speaker discusses the difference between EDM and Forever Like That, expressing a personal preference towards the latter.
This transcript discusses a negative experience the speaker had at a music camp where he felt like he didn't learn anything and remembers nothing about the music. He recounts feeling awkward around other hormonal kids and experiencing lower self-confidence, culminating in being rejected by a girl he was paired with at a dance.
The speaker envisions having the ability to use their music as a leverage of power to move people towards their will. He also admires artists who not only have great music, but also a fascinating mind.
The speaker and their father enjoy playing Christmas piano music year-round and keep their sheet music in the book. The passing of the speaker's mother at a young age taught them how to process and deal with big emotions.
The speaker discusses an upcoming performance at the Texas club where he will take the stage and over $16,000 worth of prizes will be given away.
In this episode, the hosts celebrate their growing YouTube subscriber count, currently at 46,781, and joke about it being 4/20.
In this podcast, the hosts discuss their recommendations for the best Tiny Desk concerts to watch online and the tie-in between NPR Music's exclusive Tiny Desk concert with Louder Than a Riot featuring Trina.
The speaker talks about his love for the song "Carmel, City High, What Would You Do?" and how it resonates with his generation. He also mentions his house being a popular hangout spot.
The podcast talks about the idea of transforming an abandoned pool into free concerts for music's bigwigs and how it went on to become of the best musical series of that era. The episode also features personal essays for GQ and more.
A musician recounts a story from a podcast about going to Jamie Foxx's studio to record when his record label stopped paying for studio time, and he misspells a note.
The speaker claims they can play any brass instrument except for the trombone and French horn and describes playing ominous tones under a bridge with a group of guitarists.
The speaker describes a moment of happiness while listening to a group of people playing music, bringing up the idea that life is like a roller coaster with ups and downs.
The speaker gets emotional while listening to a song on their way to the vet and another song reminds them of their auntie's accident in Cyprus.
The speaker shares their thoughts on a song that expresses yearning for someone, and reflects on the emotions and powerful memories that music can evoke.
In this episode, the guest highlights that for a few years, Crowded House was the bar for songwriters. They also compare Australia with America in terms of self-belief and manifestation of destiny.
A conversation between two people discussing the characteristics of rappers and comparing the likes of Eminem and Kanye West. The topic of their discussion also covers the aspects of fashion, music videos, live performances, and commercial sound with underground rap.
In this episode, the speaker recommends a song called Stacy's Mum as a starting point for those who want to have godchildren and talks about the dynamics of breakups.
Two individuals have a conversation about musical notes, with one making a reference to his uncle's location. The other person seems confused about the topic.
Lisa, who works as a cashier, is aware that Greatest Love of All is a huge hit. She is not willing to meet a parent unless it's for a significant event.
The emotional and personal connections that people make with music go beyond just hearing a favorite track, it's about the experiences and memories attached to it.
The speaker shares a personal story about overhearing teenage girls discussing a new drummer in the Black Knights, and how it inspired him to write letters to music magazines as a youth.
The speaker shares their newfound appreciation for a song after hearing it in an unexpected context and location. They express gratitude for the song’s placement and for the band’s acceptance of it being used.
The speaker mentions an old and comical reveal in the style of Marx Brothers when discussing artists' schedules in the music world.
Vedran Smilovic, the lead cellist of the Sarajevo Opera, played Albinoni's Adagio in G minor on a mound of rubble in honor of 22 people killed the morning before as they lined up for bread.
A discussion about the early history of record scratching which dates back to the 1940s and 50s. The accidental discovery of the technique by Grand Wizzard Theodore in 1975 is also mentioned.
The speaker shares his experience of growing up with Waylon Jennings, riding on tour buses, staying in hotels and attending concerts, which lead him to hold onto music and gravitate towards the emotion it brings.
The transcript contains no meaningful content, just repeated "yeah" sounds.
This podcast episode discusses the evolution of music and radio. It covers radio's transition from an information medium to music, the emergence of music streaming services, and the shift towards an access model for music.
A discussion on whether or not musicians should write songs surrounding the recent tragedies, such as George Floyd's death.
The guest talks about how music can really impact people's emotions including the idea that listeners can feel like musicians are doing them a service with their performance. The podcast concludes with an ad for the listeners to subscribe for more episodes.
A discussion about the use of inappropriate language in songs and the implications of censoring them in various ways.
