The speaker recalls a teenage pianist's performance and reflects on the difference in experience between professionals and amateurs.
In this excerpt, two people compare their music tastes, with one mentioning workout tracks, Spotify, and seminal artists while the other confuses Kanye West with Paul Anka.
The speaker talks about picking up a song, including a reference to Ariana Grande, and briefly sings lyrics of "No Tears Left to Cry."
In this podcast, the hosts discuss their recommendations for the best Tiny Desk concerts to watch online and the tie-in between NPR Music's exclusive Tiny Desk concert with Louder Than a Riot featuring Trina.
The speaker discusses his background in gospel music and how he always knew he would transition to secular music.
The guest speaks about the influence of diverse music genres on his creativity as a grime artist, citing indie and rock music as a source of inspiration.
Singer-songwriter Sara Bareilles joins host Louis Howes to discuss the power of music to express emotions that cannot be put into words and its ability to uplift and inspire people.
The power of music to evoke memories and transport people back to a moment in time is discussed. The hosts share personal experiences of how certain songs take them back to specific events or periods in their life.
Singer-songwriter Jewel Kilcher discusses the importance of subcultures and music in shaping our identities and understanding emotions. Through music, she emphasizes the ability to empathize with diverse perspectives and experiences.
The podcaster discusses the importance of political and protest songs in music history, from Little Richard to Public Enemy, and expresses concern about the lack of deep, meaningful lyrics in modern music.
The speaker discusses a song that he previously didn't pay much attention to and highlights a specific part of the song featuring a female vocalist. He also mentions a friend named Shay and references anchovies.
In this episode, the speaker recommends a song called Stacy's Mum as a starting point for those who want to have godchildren and talks about the dynamics of breakups.
The speaker shares his experience of growing up with Waylon Jennings, riding on tour buses, staying in hotels and attending concerts, which lead him to hold onto music and gravitate towards the emotion it brings.
The speaker discusses the distracting effects of music on concentration and the convenience of using a rice cooker versus cooking rice in a pan. They also mention their attempt to describe deep progressive house music to others.
The speaker mentions the different types of music they like to listen to when they are writing or exercising. They explain that different genres work well for different activities.
In this podcast, musicians are interviewed about one of their songs and its different layers of music are explored, revealing the thought and beauty behind the creative process of song-making.
The 90s had a lot of both good and bad music, but overall there were plenty of good bands and listenable singles. However, a significant portion of the music on the radio was deemed awful at the time.
The founder of Metal Blade Records talks about the early days of his career and how he built his record label and distribution network with limited resources.
The pit musicians of Phantom of the Opera discuss how they find meaning in the repetitive nature of their performances and some of the unique challenges they face.
The discussion revolves around an iconic musician's success and downfall, how high expectations and criticisms can impact one's career and personal life, especially when coupled with exhaustion and substance abuse.
The speaker discusses the difference between EDM and Forever Like That, expressing a personal preference towards the latter.
A conversation between two people discussing the characteristics of rappers and comparing the likes of Eminem and Kanye West. The topic of their discussion also covers the aspects of fashion, music videos, live performances, and commercial sound with underground rap.
The podcast hosts discuss whether a band has to play musical instruments or if any group performing together can be considered a band. They also debate the importance of individual members in a band.
Mark Ronson explains the impact that certain music has on our emotions and memories, as well as the difference between genuine and commercialized music.
The speaker describes a moment of happiness while listening to a group of people playing music, bringing up the idea that life is like a roller coaster with ups and downs.
The use of music in movies and TV shows goes beyond just providing a soundtrack. In this conversation, the speakers discuss the legal implications of using music on screen and how it can enhance a scene or tell a story.
In this episode, the hosts celebrate their growing YouTube subscriber count, currently at 46,781, and joke about it being 4/20.
The speaker talks about his love for the song "Carmel, City High, What Would You Do?" and how it resonates with his generation. He also mentions his house being a popular hangout spot.
The speaker met with John Baldwin and discussed the sound of someone, potentially a rapper. Baldwin's office used to be at Paramount due to his work on Black Sheep and Tommy Boy.
The speaker predicts which songs a singer will perform on a morning show, mentioning the potential for both an acoustic and pop performance, and promotes their own morning show on Youtube, thanking listeners for tuning in while encouraging them to subscribe and like the video.
The Chase Tyler Band will be performing in a concert that may have restrictions lifted by May or June. Tickets are selling fast.
Associate producer, Annie Galvin, debuts as a guest host on the Ezra Klein Show with an episode exploring the power of music, how it can help us make sense of the world, reflect on our emotions, and come together in joy and pain.
The speaker talks about their experience transitioning from music to another degree, while still playing tuba in college, and the disappointment of receiving bad news about a recital after months of hard work.
In this episode, the guest highlights that for a few years, Crowded House was the bar for songwriters. They also compare Australia with America in terms of self-belief and manifestation of destiny.
The speaker and their father enjoy playing Christmas piano music year-round and keep their sheet music in the book. The passing of the speaker's mother at a young age taught them how to process and deal with big emotions.
The speaker reminisces about their favorite song from the second album, while simultaneously promoting Athletic Greens and their free one-year supply of vitamin D and travel packs offer.
Weird Al Yankovic reveals his experience writing and performing parody songs, including a legal document he has with Michael Jackson regarding "Eat It," and the time he chose not to parody a song because it made the original artist upset.
The experience of going to a concert is like being in a church with 50,000 devoted fans who know every word to the band's songs. The excitement of the crowd and the communal love for music creates a sense of unity.
The podcast talks about the idea of transforming an abandoned pool into free concerts for music's bigwigs and how it went on to become of the best musical series of that era. The episode also features personal essays for GQ and more.
This is the song "Sacred Dog" by the band Sleep from their album "The Sciences", which features psychedelic, heavy metal and stoner rock music.
The transcript contains no meaningful content, just repeated "yeah" sounds.
